Title designer Laurent Brett created retro-style, Maurice Binder influenced  titles for this French spoof of the spy film genre.

Brett: "I met the director during the editing stage of the film. He showed me the work in progress and we talked about movie titles. He thought Saul Bass' work was a good direction to think in. I thought Maurice Binder's funny and colorful style would be more appropriate. Michel agreed and let me show him a story board and the first animations the week after we met. My inspirations were 'The Man with the Golden Arm' (Saul Bass), 'Charade' (Maurice Binder) and 'Dr. No' (Maurice Binder). The movie takes place in 1959 and was shot in that years' style, so it was natural to try to approach that era's style with the titles aswell."

Laurent Brett watched the film many times over to discover the film's themes and symboles, which he could then translate to geometric elements that represent the actors and their professions. "I wanted to create images with simple graphic forms that one can understand. It might look simple, but it was a long process for me to make. I planned to use 3D with a 2D look at first, but we didn't use those shots. In the end, I did all the titles myself - the creation, the animation and the final compositing."

Laurent Brett is a motion graphic designer from France with a huge passion for creating film titles. Brett spent two years on a general communication school, which sparked an interest in video editing. He gradually rolled into the business of title sequence design mainly from working as a post-production supervisor, editor and motion graphic designer on music videos and commercials in the 1990’s. Now, Brett’s focus is primarily on designing film and TV titles.

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Full credits

Director (film)
Michel Hazanavicius

Title designer, compositing
Laurent Brett

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